I see what you’re doing with this book, Courtney, and I approve.
The Brothers Sinister series has played a lot with what a romance heroine is. She's a survivor, a prodigy, an individual, a scientist, a feminist. She's more than a love interest. She's a fully realized character. These tenets have come to a raging boil with Free, out titular suffragette. Through her character, Ms. Milan has a lot to say on women's rights in Victorian England and their parallels to modern struggles. It's not your typical bodice ripping fare, and that's why it's so special.
I adore that Free’s able to be open and sexual and throw Edward off his game. Their relationship felt wholly unique. I loved both characters individually and together. At first, their romance is overshadowed by the plot against Free, but as the book progresses and both characters soften, there’s a really interesting part where they’re separated and writing letters, (including Edward’s infamous puppy letter that melted me into goo,) that tied back into Free’s parent’s romance from the prequel novella. It’s a little thing that I didn’t connect initially, but it fleshed out the world and reminded me how much I’m going to miss these characters.
It’s not a perfect book. The villain’s motivations felt thin and I don’t think a lord can just decide he doesn’t want to pay attention to his tenants anymore. Still, this is also the book that gives us TWO beta romances featuring queer characters. That’s something I’ll forgive a lot for. It’s smart, well written, and sexy. I know there’s a coda to the series still coming, but with the epilogue, I’m happy to bid the Brothers Sinister farewell.